Wednesday 6 January 2010
My good fortune for the year so far continues this morning
as I awaken with the clearest of heads (no hangover) and while the TV reports a
country covered in snow outside my window there isn’t much snow to be seen in
comparison. Indeed as I step outside it
isn’t even necessarily that cold, certainly not to the degree of
yesterday. This I can’t help but feel
is our revenge on the country for the Friday
before Christmas.
As I leave this morning I don’t even have to scrape the
frost from my car windscreen.
The train I board today is the 6.48AM which is a very busy
train that always appears to be already near full when I get on it and it
leaves Colchester
even though it still stops at almost every station on the way to London.
Outside Essex does not
appear too blighted by the snow and as the train goes past and enters the M25 this is where
the snow seems to begin.
Today there is a guy on the train that reminds me of Mini-Me if he had suddenly
sprouted into normal height. He is
Maxi-Me but nowhere near as funny as Verne
Troyer, only uglier.
Eventually I stroll into work healthily unthreatened by the
time. After yesterdays
considerable slow down today I endeavour to have focus.
As I step into my office from behind the closed office door
of the angry boss he begins expressing interest in my wellbeing with reference
to last
night. When I pop my head around
the corner they begin grilling me about drinking Jagerbombs last night,
accusing me of still being pissed up.
The day begins pretty well until people begin flapping about
the lack of ink in the photocopier.
Fortunately more toner is being delivered today but in this weather the
time it arrives cannot be guaranteed.
When it arrives I head downstairs and in the progress I bump into the
Heavy Metal Manager. He hugs me and
proceeds to tell me how rough he is feeling after last night. I just shrug smugly feeling fit as a fiddle
with no ill effects, feeling smart with it.
Today I have a so so morning as I regularly find myself being
disrupted by interruptions of queries from my colleagues as I struggle to get a
working flow running.
By the time lunch arrives I am already hungry and very ready
for chow. With this in mind I head for
the burger and chips option with lashings of mustard.
In the afternoon as the snow begins to come down at a heavy
rate finally I begin to get things done.
Outside there is lots of noise as the schools appear to be flinging out
its pupils and we watch as these feral animal kids throw snowballs at each
other with some kind of new viciousness.
Not long into the battle a lady walking her dog passes and some of them
proceed to throw snowballs at the lady and her pooch. Remember this is the school that N-Dubz originally came from
apparently
As I head downstairs for drinks and a better view of events
the Heavy Metal Manager shows me his Tucker Max
book and offers to lend it to me.
He takes great delight in pointing out and reading his favourite
passages. I really don’t know what to
make of this book; I haven’t heard of it before and in my circles we tend to
get such things pointed out to us if they are worth investigating. I am very curious.
Eventually the snow settles enough for our boss to send us
home. Unfortunately however I am
heading to the screening of THE ROAD with the JOHN HILLCOAT Q&A at
the Barbican tonight so when at 3PM
our department packs up and heads home I remain stoic and stuck behind. With nobody else in the office it affords me
a rare treat of listening to Danny
Baker on BBC
London in the office and as the snow continues to fall the show turns into
some kind of rolling news edutainment version of the weather.
With the mice away the cat plays and I actually manage to
get plenty of both work and writing done
including today’s Facebook Cull
entry. Later just before the clock hits
5PM the angry boss steps into the office and tells me to head home, not
realising that I am actually doing something tonight.
Even though the snow has now ceased Loudoun Road is very
slippery this evening. By the time I
make it to St
Johns Wood tube station I am surprised to having not fallen over after
coming close to having a spill several times.
Uncharacteristically the tube journey across to Barbican is
quick, slick and easy this evening. As
I emerge from the station memories of Szesze come
flooding back, it will soon be one
year since I last saw her. With
this in mind I decide to take a peak at her restaurant and sadly when I get to
it there are no lights on and it is closed.
In the window is a note and it reads:
“had to close down due to the economic downturn.”
This saddens me no end but I have to concede it doesn’t
surprise me. Suddenly I am overwhelmed
with minor grief considering just how much hard work she had put into the
restaurant and all the plans that she had for it. Twice she had refurbished it and when I ate in the place the food
was magnificent. Sadly she just did not
know how to run the business from a financial perspective despite being an
accountant. Had the climate been better
then perhaps it might have done better.
I sometimes wondered if she entertained me because I might have some
knowledge and/or expertise to share being that I work for a relatively
successful chain of restaurants. If
only I had that passion.
From here I head towards the Barbican Centre where tonight I am
attending a screening of THE ROAD and a Q&A with the director JOHN
HILLCOAT. As I walk through the tunnel
walkway at the Barbican
this is how I once envisaged most of London
being with its towering apartments above and people living on top of the
city. I would love to live here, if
only it could have been. I can’t help
but feel that this was supposed to be the future.
I head into the Barbican Centre impressed as ever realising
that the last time I here was almost one year ago to the day when Szesze and I
came to see Australia. That was also the night I sent my last text
message to Mindy
although I didn’t realise it at the time.
The Barbican Centre is a great place/venue/building, I just wish they
held more contemporary stuff that I would be interested in here.
For an hour and a half I hang around, lingering listening to
podcasts and typing on my iPhone. Unsurprisingly tonight the place does not
feel busy and to get a drink (a coffee) seems something of a feat in
itself. Eventually I head down to “The
Pit” to the cinema for the screening.
On the way in I pick up my
notes for the event and I’m ready to go.
Unsurprisingly THE ROAD turns out to be a harsh affair, a
bleak exercise into filmmaking that isn’t necessarily easy on the eye or the
mind. I haven’t read the Cormac McCarthy book but I sense that this is
quite a faithful interpretation.
From the beginning the movie comes with a horrifying air of
suspense. As the father and son hide
from the evils that appear to be taking over the world you genuinely fear for
their wellbeing, wishing them well in their efforts/exploits creating a sense
of empathy born from a fear of one day being placed into their situation also.
The whole cannibalism element I have to admit is one that
has not occurred to me before about a post apocalyptic existence but truly it is
one that makes sense and later as the father and son go in search of refuge it
is a stark element that rears itself in the most horrifying of ways, in a
manner so scary that I find myself almost hiding behind my eyes.
Avoiding so many clichés here is yet another vision of a
world gone to hell, which feels more believable than the previous. Choosing to veer away from disaster porn by
concentrating on the aftermath the image of a man pushing all his belongings
along in a shopping trolley is a vision we have now all seen in the modern and
as a result one that we can scarily recognise.
Viggo
Mortensen is as ever tough as nails, acting strong while also being
vulnerable in protecting his son. When
the pair of them eventually find some kind of haven it comes with a true sense
of pained depression as feels the need to flee when he suspects they are on the
verge of discovery.
As a number of gut wrenching flashbacks occur to explain
their origins the film only proceeds to swath through dollops of shit upon shit
as the dad leads his son to a promised land at the coast the viewer does not
necessarily believes exists.
Eventually they cross paths with Robert Duvall and Omar from The Wire (Michael K. Williams)
before a sticky conclusion occurs that leaves everything down to the viewer to
interpret and look forward into.
This is not a movie I think I will be rushing to see again
and certainly not a film I think I could ingest with a troubled mind. I still can’t decide whether the kid was
some kind of revelation or not, whether he was supposed to be as annoying as I
found him. Certainly with every
utterance of “papa” he came over as more and more flimsy.
When the movie ends it comes with some degree of
relief. I don’t think that is a road I
want to ever be taking.
From here the director JOHN HILLCOAT takes to the stage
where a man that looks the spit of the posh boss from work questions him.
The talk turns out to be an interesting one, exploring the
issues that confronted HILLCOAT in his creation of this movie from the
book. Initially he goes over the
background of the film and how he had access to the novel by Cormac McCarthy
(the source material) from the off and how he harboured reservations as to how
it might turn out. Straight away though
upon receiving the book he says he liked and felt passionate about the
story. His main concerns about THE ROAD
beforehand stem a lot from the subject matter and it being set in a genre (post
apocalyptic) that has been flogged to death in recent times in a disaster porn
manner.
With the movie getting the green light the next issue to
arise came with the pressure of getting the right kid, obviously a very key
element to the casting and execution of the movie. In conversation HILLCOAT describes how he nailed it with his
casting selection in a method that the on screen performance does not
necessarily demonstrate.
Eventually it gets to the Q&A stage of proceedings where
only one person appears inclined to ask a question (I guess the rest of us are
more concerned with getting home in the snow now).
The event ends just after 10PM as I dart out in a rush with
view to getting to Liverpool
Street in a hurry. In the end I
easily manage to catch the 10.30PM Norwich train
and I get my wish.
The journey/ride home is thankfully straightforward,
unaffected by the weather. Once back in
Colchester unfortunately the drive home is less easy as people poodle along in
their cars petrified of the ice. I
swear driving slowly in this weather and being too cautious is what prompts
accidents in this stuff.
When I finally get home it is with the maximum of relief. That was THE ROAD.
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